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  • Country ranking ?

    1 210
  • Producer ranking ?

    18
  • Decanting time

    -
  • When to drink

    2020-2035

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The Story

The Corton and Corton-Charlemagne vineyards are situated in one single block, though they straddle the notional border between Pernand-Vergelesses and Aloxe-Corton. They stretch between ‘En Charlemagne’, next to Pernand-Vergelesses, and ‘Le Charlemagne’, towards Aloxe-Corton. To have a plot of vines of this size in one contiguous block is unusual in the extreme, but that it should be the original plot, owned by the Emperor Charlemagne, is absolutely extraordinary.

 

Bonneau du Martray’s Corton-Charlemagne is a difficult wine to describe. This is particularly true when it is young. It can take a decade before it will say something more than “Stony. Wait.” But even with age it does not bloom in the same manner as the Montrachets do. In a way, it tastes like theoretical astronomy: we know that black matter exists, we can sense it, but we have no manifest proof of it. It’s a very beautiful agony.

 

In Making Sense of Burgundy, the best modern prose written about Burgundy, Matt Kramer is similarly cryptic: “Corton-Charlemagne is a wine of texture. It should give the sensation of heaviness without actually being heavy. Each mouthful is its own universe of flavor, never capable of being fully explored… Although Chardonnay has proven the ideal vehicle, one is not drinking Chardonnay with Corton-Charlemagne: One is drinking terroir.”

 

Even Jean-Charles, who has been at the domaine for every harvest but one since 1969, struggles to explain the mystery of his vineyard. “Something in Corton-Charlemagne fills your palate, but it changes very quickly into something impalpable. What is it made of? It’s difficult to qualify. It doesn’t saturate, it doesn’t blanket, nothing occupies a space of overt power, yet, at the same time, it is incredibly intense. It’s a very real sensation, but it doesn’t fit with the usual descriptions of wine… It is equally as impressive as the Montrachets. But it is of a different order.”

 

For lack of words, Jean-Charles has turned to painting: “Montrachet reminds me of Veronese: sumptuous, full, but at the same time balanced. Rubens comes to mind for Bâtard-Montrachet: the sensuality. But when I think of Corton-Charlemagne I have to go to a very different place. I find that Vermeer expresses it perfectly. His subjects are modest, nothing really: a girl with a turban, a woman reading a letter. And what is revelatory is only the light. That’s what is happening, I think, in Corton-Charlemagne.”

 

There’s more to it than analogy. With its west-facing slopes, Corton-Charlemagne is actually —physically— a wine born of unusual light. “I don’t know what effect it has on the vines”, Jean-Charles says, “but they function by photosynthesis. If they are getting good light, there’s a good chance that they are responding sympathetically.”

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Vintage 1993

In Burgundy 1993, an early flowering in the month of June, was followed by a wet early July before a hot dry August. The reds of 1993 are outstanding. They are powerful and concentrated with a firm backbone of ripe tannins. The whites although austere to begin with and slow to evolve have developed into magnificent well structured, powerful wines. A vintage that produced wines built for ageing.

Once again, expectations were high in Burgundy for the 1993 harvest. The flowering was as early as that of 1990 (from 6-11 June) and August was very hot and dry . Despite the bad weather during the second half of June and first ten days of July, with rain and notably hail in the Meurault 1er Cru vineyards of Genevrères, Charmes and Perrières. Burgundy was looking forward to an early harvest of high quality.

The 'ban des vendanges' was set for the 15th September in the Côte de Beaune and 17th in the Côte de Nuits. 

As has so often been the case, it was extremely important to undertake a crop thinning in 1993; for those domaines which did not, yields were high and sugar levels mediocre. 

The intensity of colour in the red wine and a correct balance between acidity and tannins allow us to hope for wines of an above average quality. The vineyard which were harvested before the rains are particularly rich and elegant. Fortunately, the small berry size of the grapes meant a greater resistance to grey rot which could so easily have been a problem, with the wet weather.

For the whites, the deterioration of the weather in the Côte d'Or prevented the Chardonnay grape from reaching perfect maturity but the wines will nonetheless be pleasant.

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Origin

PERNAND-VERGELESSES , Burgundy
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