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  • Country ranking ?

    947
  • Producer ranking ?

    70
  • Decanting time

    10min
  • When to drink

    now to 2030
  • Food Pairing

    Chorizo Crusted Scallops

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The Story

In 1876 when Tsar Alexander II requested that a special cuvée be created for his court Roederer duly obliged, creating what many regard to be the first prestige cuvée. 

As the political situation in Russia was somewhat unstable, Tsar Alexander feared assassination. He ordered that Champagne bottles be made of clear glass, so that he could see the bubbles and to prevent anyone from hiding a bomb within, as could easily happen with a typical dark green bottle. Roederer commissioned a Flemish glassmaker to create clear lead crystal Champagne bottles with a flat bottom. 

Originally a sweet blend, the Champagne was named “Cristal” after these distinctive clear lead crystal glass bottles.

In 1909, the House of Louis Roederer was regarded as the “Official Purveyor of Champagne to the Imperial Court of Russia” – a business coup that was later reversed following the deposition of the Tsar during the 1917 Revolution. Prohibition in the US caused additional financial difficulties during the early 20th century. However, the house survived these setbacks and today Louis Roederer remains an independent, family-owned business, managed by Roederer’s descendant, Frédéric Rouzaud.

The composition of Cristal is approximately 55% Pinot Noir and 45% Chardonnay. The grapes used in the wine come from only the finest vineyards in Grand Cru villages. Lecaillon talks about the crucial role that vineyards play in quality:

“A majority of our most recent development has been in vineyard operations. We have strict limits set for crop yields and we're using vines that are 25 years old on average. We evaluate the grapes coming from our own vineyards very critically. We try to improve the vineyards that aren't performing well and keep the ones that are at the highest level of quality.

The grapes from our own vineyards produce wines with an alcohol content that’s an average of 1% higher than those produced with purchased grapes. There’s less tart malic acid in our own grapes. Even though we strive for the highest possible acidity, it’s absolutely necessary that this is accompanied by a ripe fruitiness. We belong to the five-percent minority of Champagne's producers who do not use malolactic fermentation to reduce wine acidity. The range of aromas is accentuated by the high-acid structure, much in the same way a salad dressing brings out the aromas in the food.

“And we stopped using cloned vines - we're only using the vine offspring from our own vineyards to ensure natural diversity. In the 1950s, -60s and -70s cloning was far too simple a solution for such a complex thing." Chef de Cave Jean-Baptiste Lecaillon explained

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Wine Information

In 1876, a Roederer champagne made for Russia’s Tsar Alexander II became the world’s first luxury cuvée. But with the sudden collapse of the Russian market, the champagne house endured a long struggle on the verge of bankruptcy. Eventually, the family’s shrewd patriarchs managed to turn things around, and today, Roederer is the most solvent of Champagne’s houses; indeed, its future looks Cristal clear.
Roederer is one of the few top champagne houses to remain family-owned. Although the house’s history actually begins in 1776, the company was not called Roederer until 1833, when Louis Roederer inherited the business from his uncle. It was Louis Roederer himself who increased the house’s production volume to its present level, 2.5 million bottles a year. He laid the foundation for exports and, particularly in Russia, enjoyed great success.
Louis Roederer II, his son, receives the credit for developing Cristal. The Russian Tsar was absolutely taken with Roederer champagne: in 1873, some 666,386 bottles, which amounted to approximately 27% of its entire production, were delivered to the court of Alexander II. In order to formalise Roederer’s status as official purveyor to the Imperial Court of Russia, Alexander II commissioned Louis Roederer to produce a very sweet, prestige blend packaged in a real crystal glass bottle. Roederer’s Martine Charlotte Lorson told us:
”The first luxury cuvée was born. From the very beginning, the bottle was clear and flat-bottomed. We later patented the bottle’s design. We have tried to change from the flat-bottomed bottle, but we can’t. Because of and thanks to the patent, Cristal’s label and appearance have stayed the same since 1928!”
And how fortunate that is, because, at least in our opinion, it is quite possibly the most beautiful wine bottle in the world, especially when wrapped in its trademark amber cellophane. Chef de Cave Jean-Baptiste Lecaillon explained the practicalities:
”We started using cellophane in the late 1970s, and there were still bottles with and without cellophane available in the early 1980s. Champagne is a light-sensitive product, so even though the cellophane is beautiful, it also plays a key role in protecting the Cristal from ultraviolet radiation. The amber cellophane also makes the bottle instantly recognisable, thus serving as a brand-building tool.”
The story of Cristal’s genuine crystal bottle is well-known. This is why we were surprised to discover that there is not one true crystal bottle in existence or even a photograph of one.
”Unfortunately, that’s true”, says Lorson, and continues: ”We’ve been searching high and low without any luck. But then again, Cristal was only packaged in crystal bottles for one or two years. The bottle was too weak to withstand the pressure and, because the Tsar’s champagne was so sweet, there was some post-fermentation, and the resulting losses were too much even for the extravagant Tsar.”

The 1970s were a turning point of sorts for Roederer and Cristal. Camille Olry-Roederer’s grandson Jean-Claude Rouzaud joined the house and gradually took the helm. It was a rough start, as TCA, a chemical compound that causes cork taint, infested the Roederer cellars. The young man faced an enormous undertaking. A huge volume of wine had to be taken off the market and disposed of, and the entire production facility had to be sterilised and rebuilt.
This is also the period of Cristal’s emerging popularity, when Roederer worked with an American importer to make Cristal the world’s most in-demand champagne. A key detail of this plan was to double the price. When Rouzaud was named Decanter Man of the Year in 2001, he said in an interview that one of the most significant things he had done at Roederer was to decrease the production of Cristal from one third to under a fifth of Roederer’s overall production. High price and low availability - alongside uncompromised quality - have made Cristal the most coveted champagne in the world.

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Vintage 1985

Severe winter temperatures and spring frosts did great damage, leaving many in the region unhopeful of a good year. The destruction was excessive especially in the northern Montagne de Reims, in the hillside vineyards west of Reims and in the Aube. The early summer weather did not raise the hopes, but finally fine September weather came to the rescue and yields ended up being better than feared (albeit tiny, 6,827 kg/ha) when picking commenced on September 30th. Champagnes from 1985 are typically beautifully balanced and intense with great length and character that is still improving today. Dom Pérignon, Charles Heidsieck Champagne Charlie and Blanc des Millénaires, Krug Vintage and Perrier-Jouët Belle Époque excelled, to name a few.

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Tasting note

color

Medium, Gold and Bright

ending

Long, Lingering and Round

flavors

Apricot, Waxy, Toasty, Smoky, Honey and Truffles

nose

Open, Complex, Generous and Opulent

recommend

Yes

taste

Average in Acidity, Low alcohol content, Low tannin, Balanced, Complex, Multi-dimensional, Mature, Medium-bodied, Ripe, Fresh, Harmonious and Dry

Verdict

Intelligent and Impressive

Written Notes

Crystal-clear golden colour with medium depth. Perfectly integrated, miniscule bubbles Youthful nose of fresh herbs, ripe fruit aromas, baked apple, honey and brioche. The aromas are starting to develop towards tertiary. Very stylish palate with lean and long style. Vigorous yet smooth mousse. An excellent bottle of champagne that is still working its way to the peak.

  • 92p
This wine is now in a dormant elusive phase where the nose is slightly less luxuriant than in its youth. The 79 went through the same rest period at a corresponding age, then went on later to bloom in full splendor. The 1985 Cristal is otherwise just as delicious as it sounds—an aristocratic Champagne with a wonderfully long aftertaste of crème caramel.
  • 94p
a delicious bottle of bubbly with great bread and toast flavors, possessing that elegant richness that only Cristal can, finishing smoothly and finely. It was exquisite
  • 85p

The 1985 Cristal is powerful and resonant on the palate, with just the earliest hints of oxidative notes starting to appear. The 1985 may not have quite the layers, focus or pedigree of the very best years, but it more than makes up for that with its inviting, generous personality. There is so much to like, including the wine’s soft curves and racy feel. The 1985 is an especially opulent Cristal, with attractive smoky and torrefaction overtones, and exceptional balance. “In 1985, we had a severe frost that lowered yields dramatically,” Chef de Caves Jean-Baptiste Lécaillon recounted. “It was a vintage to handle carefully. From what the old-timers told me, because I was not here, set was so bad that the percentage of stems relative to fruit was quite high. Our crew works hard to cut as close as possible, especially in challenging vintages. But I imagine some stems and underripe berries made it into the tanks, resulting in somewhat green, bitter flavors at pressing. In the end though, those qualities have been pretty good for aging. Ultimately, Champagne is a battle between ripeness and greenness. If you are too ripe, you have rot, and if you aren’t ripe enough, you are green. You need to find the optimal window for picking.”

  • 95p

Straw yellow. Nuts, spices, some lemons and flinty notes nose. Fresh acidity, fruity, some spices, anise, nuanced, some creaminess, long. Little bit dense and might not be a perfect bottle, lacks some of the purity somehow. 92

  • 92p

Bright, evolved yellow colour. Sound, reserved nose with stone fruits, apricot and mandarin peel, touch of candied wax. Dry, firm, broad, round, apricot palate with great concentration and intense texture. Lovely brioche flavours in long aftertaste. – JL – Aug 25, 2018

  • 94p
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Information

Origin

Reims, Champagne

Vintage Quality

Excellent

Value For Money

Very good

Investment potential

Below Average

Fake factory

None

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Vintage

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