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Uutiset
Firstly, you notice the color, which is a touch deeper than recent vintages at this stage. The bouquet is quite honeyed and rich for Yquem at this early juncture, with subtle scents of peach skin, white flowers, and a puff of chalk and frangipane. The palate is viscous on the entry, all about the texture at first, coating the mouth with luscious botrytized fruit. There are touches of Seville orange marmalade, fresh apricot, a hint of spice and passion fruit. This is imbued with impressive depth and weight, perhaps an Yquem that is determined to make an impression after last year's absence. It might not possess the finesse of a top flight Yquem, but it has immense power and persistency. |
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Score: 95/97 | Neal Martin, Wine Advocate (212), May 2014 |
Viinin Kuvailu
The Story
The pleasure derived from tasting Yquem is difficult to describe.
It offers a myriad of well-balanced, complex flavours that generate even more harmonies over time. The impression that remains is reminiscent of a quote from Frédéric Dard "the silence that follows a piece by Mozart, in which the listener remains suffused with the music". This reflects the fact that Château d'Yquem stays on the palate for a remarkable long time, providing a unique, prolonged pleasure. There is a lovely expression in French to describe Yquem's tremendously long aftertaste: il fait la queue du paon, which means that it spreads out like a peacock's tail.
It is always difficult to describe wine-tasting experiences with any precision. The senses of sight, smell, taste and touch are all stimulated virtually at the same time. While gifted tasters can identify some of the aromas and flavours in a glass of Yquem in an effort to define its complexity, they never really succeed in communicating its essence or explaining its mystery. Mere analysis, whether chemical or organoleptic, is not sufficient to account for Yquem's greatness. Yquem tells a unique story... It starts with the bouquet. Although not always very outgoing in young vintages, it is marked by fruit (apricot, mandarin, and occasionally tropical fruit) and oak (vanilla and toasty aromas). Older vintages, on the other hand, have an extraordinarily complex fragrance as soon as the bottle is opened, with hints of dried fruit (dried apricot, prune, stewed fruit, and marmalade), spice (cinnamon, saffron, and liquorice), and even flowers (lime blossom, etc.). The first impression of Château d'Yquem on the palate is always very silky, and often sumptuous. It then fills out, "coating the palate". This fine wine has a strong, but never overbearing character, with great elegance and poise. It always maintains a balance between sugar and acidity (sweetness and freshness). A touch of bitterness can also contribute to the overall harmony. Château d'Yquem's aftertaste is legendary, and it tells another story, which lasts and lasts…
Certain connoisseurs consider it outrageous to drink a young Yquem and believe that opening such a monumental wine before its thirtieth birthday is tantamount to a sacrilege. Others, on the contrary, think that Yquem can be enjoyed at all stages in its life.
Chateau d`Yquem is often described as the greatest sweet wine in the world. After centuries of family ownership, Yquem was was bought by Louis Vuitton-Moët-Hennessy in 1999. Its former owner and director Alexandre de Lur-Saluce remains in charge. Yquem is located on the highest hill in Sauternes and enjoys the best growing conditions in the whole appellation. The 110-hectare vineyard is planted with 80% Sémillon and 20% Sauvignon Blanc. Only fully botrytized fruit is picked by the 150 highly skilled pickers and yields are so low that each vine produces only one glass of wine. Yquem is fermented in oak barrels (100% new) and is left in barriques to mature for up to 36 months. Intensely opulent when young, Yquem develops an extraordinary complexity and exotic richness when fully mature, with the best vintages lasting for over 50 years. Château d'Yquem is classified as a 1er Cru Classé supérieur.
Wine Information
2013 was a year of tremendous contrasts. Spring was abnormally cool and wet, which meant that flowering was very spread out – a factor conducive to complexity at Yquem. Summer was magnificent! Cool weather in September retained the grapes' freshness, whereas summerlike conditions returned in October. The harvest took place under ideal conditions. This 2013 is very "botrytised", with richness and candied fruit flavours. The wine's freshness and power are comparable to 2001 and the degree of botrytis is reminiscent of
Vuosikerta 2013
BORDEAUX 2013 VINTAGE REPORT
The 2013 vintage in Bordeaux was one of the most difficult since 1965 and 1968. Thomas Duroux of Château Palmer describes it as “the most complicated vintage in 20 years”. It rained almost continuously in the spring. Flowering was uneven, leading to poor set, millerandage and coulure. The threat of mold was alleviated by the arrival of warm, dry weather during the summer. For a while, winemakers hoped that abundant sunshine and mild weather would allow the vines to catch up. Severe storms, winds and intermittent heavy rains in July and August hampered vine growth and created fruiting difficulties. High humidity and cool temperatures before harvest led to slow ripening and the ideal environment for botrytis (gray rot) infection. Merlot did not perform well on the left bank. Château Margaux was certainly vulnerable to these conditions, but others, in their efforts to talk about the vintage, displayed superb Gallic denial. You would be forgiven for thinking this could be an exceptional vintage; Such is the genius of the world's best professional liars.
In years past, weather conditions, uneven ripening and disease pressure would have resulted in disastrous wines. Château Margaux avoided the worst rains by bringing in a picking team of 300 people to harvest the crop at lightning speed. Chateau Lafite also raced against the elements and won. Most castles don't have this type of luxury. The sorting tables were “drilled” during the harvest, allowing the best berries to be selected. I don't remember seeing red wine with visible botrytis characters. The fruit, however, has generally not ripened to optimal levels. Many producers have found it necessary to chaptalize their vinification to allow the wine to reach a more attractive alcohol level. Some châteaux, including Cos d’Estournel at 12.7% alc, produced their wines apparently without adding sugar. Most areas, however, have struggled to reach phenolic maturity. Tannins are the fabric of all red wines. They don't need to be perfectly ripe; An “al-dente” texture can provide convincing freshness and an attractive structure. But it was easy to extract too much in 2013. The best wines were those that were “unpushed” and intuitive to the conditions of the vintage. The use of saignée (juice runoff), reverse osmosis, and other methods to concentrate wine, is never discussed by winemakers, but there were some wines with soupy textures and a silky feel. unnatural mouth.
Many 2013 primeur wines have only been in barrel for a few weeks. This creates challenges because oak characters can detract from the inherent quality of young wines. Many châteaux will undoubtedly adjust their oak maturation philosophies to match the character of the vintage. Others will use oak as a cosmetic or construction bog to make up for structural inadequacies in their wine. Acidity is also strongly present in the wines this year. This element is essential for the freshness, tension and lifespan of any vintage. In more mature years, acidity tends to play second fiddle, but in 2013, it's first fiddle. Fruit character, perhaps the most important characteristic of any wine, inevitably varies by subregion and vineyard. The best wines of this vintage have the aromatic quality, persistence and depth of good vintages. Ultimately, the most triumphant red wines are proportional to the commitment and financial resources of the wine producer.
Although Merlot struggled in the Médoc, it performed well on the Right Bank. The Pomerol was relatively resplendent with generous fruit and tannin backbones that were riper than elsewhere. St Emilion was also capable of making good wine, but as usual the results were mixed. The reds from Pessac Léognan were muscular and rustic, while the whites were mineral and fresh with strong acidities. Many think that dry whites are excellent. For most Australians, these wines don't really offer value. There were some good Cabernet Sauvignon-dominant red wines made in the Médoc. However, no subregion prevailed. If anything I preferred Pauillac, especially Château Grand Puy Lacoste and Château Batailley.
The humidity which hampered the 2013 harvest in the Médoc and elsewhere worked in favor of the producers of Sauternes and Barsac. There was a “widespread proliferation” of botrytis cinerea (noble rot) during Bordeaux’s wet autumn. The wines range from magnificent to standard in quality. The best ones have beautiful honey, barley water complexity, understated richness and viscosity, and fresh acidity. Château d’Yquem is remarkably good. The biodynamic Château Climens is a beautiful, expressive wine. Every year, I taste it in barrels and in pieces. I can imagine the final blend and it will not disappoint.
The 20% drop in Australian dollar to euro exchange rates over the past year will make the 2013 more expensive than the best vintages 2012 and 2011. Unfortunately, this will have a significant impact on market opportunities in Australia . It is unlikely that the castle owners will lower their prices enough to make this campaign worthwhile. Falling demand from China and a full pipeline to other markets will lead to sluggish sales across the world. Although this year's primeur campaign will test the resilience of the traditional Bordeaux wine trade, there is still an impressive level of optimism. I think everyone is looking forward to moving on after the 2013 vintage. On the other hand, it's the type of vintage, with a hint of bottle age, that could re-emerge in a more favorable light in a few years.
by ANDREW CAILLARD MW