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Wine Description
The Story
Richebourg is a king of a wine: the Colonnade of the Louvre, the Château of Versailles. You are impressed by its finesse, its length and its delicate sensations, endlessly changing. The fact that no element dominates the others enables you to appreciate all of its aromas, on the nose and on the palate. Force and subtlety in one wine ?
Richebourg reacts well to new oak, which it can dominate completely. It is therefore regularly matured in new casks of oak from the forests of Tronçais and Bertranges. It is easy to guess its depth and finesse, but this is a wine which is frequently discreet during the first months of its maturing period. To express itself, it needs a little encouragement (aeration, for example).
Richebourg requires very few tricks for it to express itself. There's no need to break up the cap or to control the temperature inopportunely; the vinification follows the general rules of the estate; no more, no less. The most important thing is to have ripe grapes to start with, which is not difficult, given the low yields.
Planted during the 1950s, this 'grand cru' vineyard regularly produces small grapes, perfect examples of 'pinot fin'. It is not particularly precocious and likes to take its time to mature; a characteristic which can also be found in the cask, once the wine has been made! The grapes present a fine balance between sugar and acids, certainly at the origin of this appellation's character.
The estate possesses about three quarters of an acre in 'les Verroilles', plus a tenth of an acre in 'les Richebourg', just below 'Cros Parantoux' (or close to an acre in total). The vines are oriented principally towards the east, and they are characterised by being planted in rows running north-south – a protection during hot years. Generally speaking, the site is fairly cool.
Vintage 2019
“2019 is ‘the perfect storm’ of a vintage,” said Laurent Drouhin of top negociant house Drouhin, which owns vineyards in many parts of Burgundy. “We keep smiling because some wines will be great.” The mix included the hottest temperatures since the time of the Black Death 700 years ago (!), frost in April, rain in June, and no rain for nearly four months.
Drouhin’s harvest started on time on Sept. 13, and Laurent’s winemaking brother Frederic reports, “The first reds show an intense and beautiful color, good concentration, great balance and acidity and depth. The whites also show good richness with balance.” It’s a great year for reds, with slightly higher alcohol than usual.
The downside is very low yields. In just one April night, frost destroyed about 30% of the crop in Macon, though what’s left is making wines with good acidity and aromas.
Export company Le Serbet gathered reports from 65 producers in its portfolio, and head of marketing Peter Wasserman says the loss of grapes varies from vineyard to vineyard; in some places it may be as much as 50% to 60% lower than normal. Northern appellations such as Gevrey-Chambertin seem to have done best, down only 10%.
With less wine, you might predict even higher prices, but producers worry that this would drive away consumers.