The Tb points given to this wine are the world’s most valid and most up-to-date evaluation of the quality of the wine. Tastingbook points are formed by the Tastingbook algorithm which takes into account the wine ratings of the world's 50 best-known professional wine critics, wine ratings by thousands of tastingbook’s professionals and users, the generally recognised vintage quality and reputation of the vineyard and winery. Wine needs at least five professional ratings to get the Tb score. Tastingbook.com is the world's largest wine information service which is an unbiased, non-commercial and free for everyone.
Viinin Kuvailu
The Story
The Corton and Corton-Charlemagne vineyards are situated in one single block, though they straddle the notional border between Pernand-Vergelesses and Aloxe-Corton. They stretch between ‘En Charlemagne’, next to Pernand-Vergelesses, and ‘Le Charlemagne’, towards Aloxe-Corton. To have a plot of vines of this size in one contiguous block is unusual in the extreme, but that it should be the original plot, owned by the Emperor Charlemagne, is absolutely extraordinary.
Bonneau du Martray’s Corton-Charlemagne is a difficult wine to describe. This is particularly true when it is young. It can take a decade before it will say something more than “Stony. Wait.” But even with age it does not bloom in the same manner as the Montrachets do. In a way, it tastes like theoretical astronomy: we know that black matter exists, we can sense it, but we have no manifest proof of it. It’s a very beautiful agony.
In Making Sense of Burgundy, the best modern prose written about Burgundy, Matt Kramer is similarly cryptic: “Corton-Charlemagne is a wine of texture. It should give the sensation of heaviness without actually being heavy. Each mouthful is its own universe of flavor, never capable of being fully explored… Although Chardonnay has proven the ideal vehicle, one is not drinking Chardonnay with Corton-Charlemagne: One is drinking terroir.”
Even Jean-Charles, who has been at the domaine for every harvest but one since 1969, struggles to explain the mystery of his vineyard. “Something in Corton-Charlemagne fills your palate, but it changes very quickly into something impalpable. What is it made of? It’s difficult to qualify. It doesn’t saturate, it doesn’t blanket, nothing occupies a space of overt power, yet, at the same time, it is incredibly intense. It’s a very real sensation, but it doesn’t fit with the usual descriptions of wine… It is equally as impressive as the Montrachets. But it is of a different order.”
For lack of words, Jean-Charles has turned to painting: “Montrachet reminds me of Veronese: sumptuous, full, but at the same time balanced. Rubens comes to mind for Bâtard-Montrachet: the sensuality. But when I think of Corton-Charlemagne I have to go to a very different place. I find that Vermeer expresses it perfectly. His subjects are modest, nothing really: a girl with a turban, a woman reading a letter. And what is revelatory is only the light. That’s what is happening, I think, in Corton-Charlemagne.”
There’s more to it than analogy. With its west-facing slopes, Corton-Charlemagne is actually —physically— a wine born of unusual light. “I don’t know what effect it has on the vines”, Jean-Charles says, “but they function by photosynthesis. If they are getting good light, there’s a good chance that they are responding sympathetically.”
Vuosikerta 1985
1985 Burgundy by Clive Coates MW / The 1985 vintage represents a turning point in the wine history of Burgundy. Before this date, on the whole, winegrowers made wine, merchants bought it, assembled several plots, if necessary, and sold it. Subsequently, more and more estates began to mature, bottle and market the wines themselves. In the meantime, many merchants had taken the opportunity to expand their own estates, so that, particularly at the upper end, they were more or less self-sufficient. In the 1970s, and earlier, there were barely around twenty producers – we think of Rousseau, Dujac, Domaine de la Romanée-Conti, Gouges, Lafarge and Leflaive – who did not sell in bulk. Many of today's super-stars bottled only a token quantity and were unknown to even the most perceptive merchant or journalist.
The emergence of these new areas is transforming Burgundy. In a very short time, almost everyone who had a grand cru and many who had a good premier cru were bottling as much as they could themselves. There was, of course, the question of cash flow. If you sold to a merchant, you were paid in full at the time of the next vintage. If you sold in bottles, you didn't get the money until about two and a half years later, after bottling 18 months after harvest and possible shipping in winter thereafter. We would therefore not be able, unless we were otherwise financed, to move from bulk sales to bottled sales overnight. I remember the late Philippe Engel explaining to me that the transformation for him took ten years.
The process was encouraged by local residents. Burgundy is a generous wine region. Most growers are on very good terms with their neighbors and are only too happy to help if there is a problem. Naturally, the best ones have a queue of potential buyers waiting to step in if one of the regular customers falls through. What could be more natural for the important owner of the much sought-after estate than to recommend a hitherto unknown young neighbor who was looking for business. If he or she was a cousin or in-law, so much the better.
Moreover, the quality was improving, and by leaps and bounds. The best growers went to Viti in Beaune then to the University of Dijon. Many left for a stopover in California or Australia, or elsewhere in France. Tasting each other’s wines with your neighbors has become commonplace. Firstly, selling your wine under your own label required you not to cut corners, which you might have been tempted to do if you were simply selling in bulk. Tasting your wine alongside those of your friends and reading a review of it in a wine magazine will soon tell you whether you are producing superior quality or not. Second, viticulture and viticulture techniques had become increasingly sophisticated. There has been a return to plowing and the elimination of herbicides and pesticides. The size of the harvest was taken into greater account. And finally the introduction of the sorting table: the greatest contribution to increasing quality of all. Today, everyone has a sorting table. The first time I saw it was Domaine de la Romanée-Conti when I was making a video in 1987. Finally, after a disappointing run of vintages in the 1970s and early 1980s, 1985 ushered in a series of high quality years that continues to this day. Burgundy has not had a bad vintage since 1984. Thirty years.
The consequence of all this is that it is increasingly difficult for everyone, not just the outside journalist, to keep up. Every year, new areas, worthy of exploration and waiting to be discovered. In 1985, I visited six estates in Gevry, four in Morey and Chambolle and perhaps eight in Vosne. Today I should visit 25 in Gevrey, and so on. A marathon for which I no longer have the energy. I am very lucky to have been there at the time and to have experienced what was an exciting time in Burgundy.