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Wine Description
The Story
Family run since the 19th century, the Billecart Champagne house delivers large number of bottles which are always well made and of the highest quality.
This prestigious cuvée, created in 1964 as a homage to the founder of the Champagne house, is the result of an assembly which has remained unchanged since its creation. The vinification, partially in traditional barrels, asserts a well-rounded and generous character, favouring a subtle and natural elegance.
The graceful charm that endears Billecart is on full display in this calm, effortless and yet profoundly confident cuvée. Pinot noir assumes a glorious lead in a magnificent display of red berry and cherry fruits, seamlessly fused to the bright lemon and pink grapefruit cut of magnificent chardonnay acidity. The pronounced chalk minerality that shines so brightly in the graceful Billecart style surges long and strong through a finish of mesmerising persistence.
Formulation: 79% grand crus and 21% premier crus; 60% pinot noir from the premier and grand crus of the Montagne de Reims and Grande Vallée de la Marne, 40% chardonnay from the Côte des Blancs; 15% vinified in oak barrels; aged 10 years on lees; 6g/L dosage; cork.
• 60% Pinot Noir from the Premiers and Grands Crus from the Montagne de Reims and the Grande Vallée de la Marne
• 40% Chardonnay from the Côte des Blancs
- • Dosage: 6 g/l
- • 5% vinified in oak barrels
- • Partial malolactic fermentation
- • Ageing on lees: 10 years
- • Available formats: bottle
- • Ageing potential: more than 10 year
Wine Information
Balance and richness
This exceptional cuvée was created in 1964 as a tribute to the House’s founder. It results from the blending of grands crus from the classified Côte des Blancs vineyards (Chardonnay) and the Montagne de Reims (Pinot Noir). Its vinification, partially in traditional oak casks, underpins the generous character of this fine, elegant and rich wine.
Appearance: A lovely colour of sparkling yellow gold veiled in soft golden reflections. This very luminous and intense visual perception gives to the effervescence a rising of fine-cut bubbles.
Aroma: All the richness and subtlety of an aromatic curve enhances the maturity of the delicious fruit. Fine notes of praline from lightly roasted dried fruit (almonds, dried dates and grilled chestnuts), refined by the floral and sensory elegance of a touch of infusion (Lime-tree, Verbena).
Palate: The balance of a tension controlled by the blossoming of the wine (caramelised stone- fruit, light tobacco) and embodied by the line of noble biscuity flavours. A truly unique and personal character showing real vinosity.
Tasting: This generous and powerful vintage, characterised by the elegant vinosity of a complex and mature wine, will be served at cellar temperature (11/12°C). It will expose the flavours of a beautiful creamy, roasted poultry or a delicious slice of milk-fed veal with mushrooms.
From François DOMI, BILLECART-SALMON’ chief winemaker.
Vintage 2000
A warm and wet winter was followed by an equally wet spring. First, in May, came the seri- ous heat, which gave a fast owering around June 14. Chlorosis and mold growth were evi- dent. June and August were hot and dry. But if you were like me, and tried to have a July vaca- tion in Champagne that year, you noticed how cold and rainy it was. The weather was almost as bad as at home, with constant rain and local hailstorms.
Everything looked hopeless, but the good weather during harvest saved a decent amount of fresh grapes. Harvest started on my birthday—September 11—and ended in early October. Chardonnay and pinot meunier did better than the delicate pinot noir. The year will become sought after thanks to their magic number. The quality does not look too fancy yet though. The wines are quite light with short lives. However, it is a very enjoyable moment, with its intense exotic aromas of passion fruit and tangerine. I am delighted to recommend some romantic bottles of the successful pink trio William Deutz Rosé, Louis Roederer Cristal Rosé, and Pommery Cuvée Louise Rosé.
by Richard Juhlin/
