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  • Country ranking ?

    624
  • Producer ranking ?

    37
  • Decanting time

    No
  • When to drink

    2020-2035
  • Food Pairing

    Seafood, Salads & Consommes

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The Story

In 1876 when Tsar Alexander II requested that a special cuvée be created for his court Roederer duly obliged, creating what many regard to be the first prestige cuvée. 

As the political situation in Russia was somewhat unstable, Tsar Alexander feared assassination. He ordered that Champagne bottles be made of clear glass, so that he could see the bubbles and to prevent anyone from hiding a bomb within, as could easily happen with a typical dark green bottle. Roederer commissioned a Flemish glassmaker to create clear lead crystal Champagne bottles with a flat bottom. 

Originally a sweet blend, the Champagne was named “Cristal” after these distinctive clear lead crystal glass bottles.

In 1909, the House of Louis Roederer was regarded as the “Official Purveyor of Champagne to the Imperial Court of Russia” – a business coup that was later reversed following the deposition of the Tsar during the 1917 Revolution. Prohibition in the US caused additional financial difficulties during the early 20th century. However, the house survived these setbacks and today Louis Roederer remains an independent, family-owned business, managed by Roederer’s descendant, Frédéric Rouzaud.

The composition of Cristal is approximately 55% Pinot Noir and 45% Chardonnay. The grapes used in the wine come from only the finest vineyards in Grand Cru villages. Lecaillon talks about the crucial role that vineyards play in quality:

“A majority of our most recent development has been in vineyard operations. We have strict limits set for crop yields and we're using vines that are 25 years old on average. We evaluate the grapes coming from our own vineyards very critically. We try to improve the vineyards that aren't performing well and keep the ones that are at the highest level of quality.

The grapes from our own vineyards produce wines with an alcohol content that’s an average of 1% higher than those produced with purchased grapes. There’s less tart malic acid in our own grapes. Even though we strive for the highest possible acidity, it’s absolutely necessary that this is accompanied by a ripe fruitiness. We belong to the five-percent minority of Champagne's producers who do not use malolactic fermentation to reduce wine acidity. The range of aromas is accentuated by the high-acid structure, much in the same way a salad dressing brings out the aromas in the food.

“And we stopped using cloned vines - we're only using the vine offspring from our own vineyards to ensure natural diversity. In the 1950s, -60s and -70s cloning was far too simple a solution for such a complex thing." Chef de Cave Jean-Baptiste Lecaillon explained

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Wine Information

In 1876, a Roederer champagne made for Russia’s Tsar Alexander II became the world’s first luxury cuvée. But with the sudden collapse of the Russian market, the champagne house endured a long struggle on the verge of bankruptcy. Eventually, the family’s shrewd patriarchs managed to turn things around, and today, Roederer is the most solvent of Champagne’s houses; indeed, its future looks Cristal clear.
Roederer is one of the few top champagne houses to remain family-owned. Although the house’s history actually begins in 1776, the company was not called Roederer until 1833, when Louis Roederer inherited the business from his uncle. It was Louis Roederer himself who increased the house’s production volume to its present level, 2.5 million bottles a year. He laid the foundation for exports and, particularly in Russia, enjoyed great success.
Louis Roederer II, his son, receives the credit for developing Cristal. The Russian Tsar was absolutely taken with Roederer champagne: in 1873, some 666,386 bottles, which amounted to approximately 27% of its entire production, were delivered to the court of Alexander II. In order to formalise Roederer’s status as official purveyor to the Imperial Court of Russia, Alexander II commissioned Louis Roederer to produce a very sweet, prestige blend packaged in a real crystal glass bottle. Roederer’s Martine Charlotte Lorson told us:
”The first luxury cuvée was born. From the very beginning, the bottle was clear and flat-bottomed. We later patented the bottle’s design. We have tried to change from the flat-bottomed bottle, but we can’t. Because of and thanks to the patent, Cristal’s label and appearance have stayed the same since 1928!”
And how fortunate that is, because, at least in our opinion, it is quite possibly the most beautiful wine bottle in the world, especially when wrapped in its trademark amber cellophane. Chef de Cave Jean-Baptiste Lecaillon explained the practicalities:
”We started using cellophane in the late 1970s, and there were still bottles with and without cellophane available in the early 1980s. Champagne is a light-sensitive product, so even though the cellophane is beautiful, it also plays a key role in protecting the Cristal from ultraviolet radiation. The amber cellophane also makes the bottle instantly recognisable, thus serving as a brand-building tool.”
The story of Cristal’s genuine crystal bottle is well-known. This is why we were surprised to discover that there is not one true crystal bottle in existence or even a photograph of one.
”Unfortunately, that’s true”, says Lorson, and continues: ”We’ve been searching high and low without any luck. But then again, Cristal was only packaged in crystal bottles for one or two years. The bottle was too weak to withstand the pressure and, because the Tsar’s champagne was so sweet, there was some post-fermentation, and the resulting losses were too much even for the extravagant Tsar.”

The 1970s were a turning point of sorts for Roederer and Cristal. Camille Olry-Roederer’s grandson Jean-Claude Rouzaud joined the house and gradually took the helm. It was a rough start, as TCA, a chemical compound that causes cork taint, infested the Roederer cellars. The young man faced an enormous undertaking. A huge volume of wine had to be taken off the market and disposed of, and the entire production facility had to be sterilised and rebuilt.
This is also the period of Cristal’s emerging popularity, when Roederer worked with an American importer to make Cristal the world’s most in-demand champagne. A key detail of this plan was to double the price. When Rouzaud was named Decanter Man of the Year in 2001, he said in an interview that one of the most significant things he had done at Roederer was to decrease the production of Cristal from one third to under a fifth of Roederer’s overall production. High price and low availability - alongside uncompromised quality - have made Cristal the most coveted champagne in the world.

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Vintage 1989

Champagne: A warm vintage, where simply charming wines were produced. However, there was not enough heat throughout the year. Spring frosts killed some of the shoots, reducing the harvest by 20%. The inflorescences were discontinued due to the exceptionally cold weather. This was followed by the maturation of the grapes in two phases. The first harvest was already made at the beginning of September and the second at the beginning of October. Overall, the result was a great harvest of good wines. The vintage has been compared to what others believe to be the legendary hot vintages of the century – 1947, 1959 and 1976. The wines are marked by rich essence, heavy taste, tropical fruitiness and softer acids. The vintage matures noticeably faster than 1988 and 1990, reaching its peak in the following 3 to 5 years.

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Latest Pro-tasting notes

21 tasting notes

Tasting note

color

Light, Straw and Bright

ending

Medium, Round and Smooth

flavors

Vanilla, Honey, Truffles, Nutty, Dried-fruit and Spice

nose

Ripe, Modest, Pure and Open

recommend

Yes

taste

Average in Acidity, Low alcohol content, Balanced, Concentrated, Multi-dimensional, Mature, Light, Ripe, Elegant, Fresh and Dry

Verdict

Well-rounded and Well made

Written Notes

Medium-deep yellow colour. Youthful, elegantly toasty nose with fresh floral nuances, nuts and marshmallow. The bouquet is still lean and restrained. Mocha and toffee flavours. Youthful but well-integrated mousse. Harmonious, complex and on its way up. Lovely.

  • 95p
A jero of 1989 Cristal was first, and it was singing out of jero. Fresh, racy, zippy and practically sizzling, the ’89 was a great way to start the afternoon. Corn, straw, butter and minerals were all present in this ‘underrated monster’ of a Champagne, per Bruce. The acidity was extraordinary
  • 96p

Hints of caramel, orange peel, apricot jam and spice run through the 1989 Cristal. Ample, creamy and generous, the 1989 is in great shape today. The slightly forward aromas and flavors suggest the 1989 has arrived at a plateau of maturity. I would prefer to drink it over the next decade or so, although the wine has more than enough density to hold for many years. I have had fresher bottles of the 1989, but this is a fine showing just the same. The 1989 is always a silky, gracious and totally understated Cristal, as it is once again today. “Nineteen eighty-nine was a riper year, and therefore more Pinot-driven, with about 63-64% Pinot in the final blend than the more typical 60%” adds Lécaillon.

  • 94p

The lovely nose of toast and graphite leads to flavors of poached quince, fleur de sel, white cherry, lemon pith and almond skin in this dry and harmonious Champagne. Almost airy and ethereal in texture, yet the finely woven flavor range goes on and on, echoing on the finish.

  • 93p
Bit flat:( This bottle has seen its best days. A warm and rich year with high in tannins. 62% Pinot Noir
  • 91p
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Information

Origin

Reims, Champagne

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