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Sulje

The Story

In 1876 when Tsar Alexander II requested that a special cuvée be created for his court Roederer duly obliged, creating what many regard to be the first prestige cuvée. 

As the political situation in Russia was somewhat unstable, Tsar Alexander feared assassination. He ordered that Champagne bottles be made of clear glass, so that he could see the bubbles and to prevent anyone from hiding a bomb within, as could easily happen with a typical dark green bottle. Roederer commissioned a Flemish glassmaker to create clear lead crystal Champagne bottles with a flat bottom. 

Originally a sweet blend, the Champagne was named “Cristal” after these distinctive clear lead crystal glass bottles.

In 1909, the House of Louis Roederer was regarded as the “Official Purveyor of Champagne to the Imperial Court of Russia” – a business coup that was later reversed following the deposition of the Tsar during the 1917 Revolution. Prohibition in the US caused additional financial difficulties during the early 20th century. However, the house survived these setbacks and today Louis Roederer remains an independent, family-owned business, managed by Roederer’s descendant, Frédéric Rouzaud.

The composition of Cristal is approximately 55% Pinot Noir and 45% Chardonnay. The grapes used in the wine come from only the finest vineyards in Grand Cru villages. Lecaillon talks about the crucial role that vineyards play in quality:

“A majority of our most recent development has been in vineyard operations. We have strict limits set for crop yields and we're using vines that are 25 years old on average. We evaluate the grapes coming from our own vineyards very critically. We try to improve the vineyards that aren't performing well and keep the ones that are at the highest level of quality.

The grapes from our own vineyards produce wines with an alcohol content that’s an average of 1% higher than those produced with purchased grapes. There’s less tart malic acid in our own grapes. Even though we strive for the highest possible acidity, it’s absolutely necessary that this is accompanied by a ripe fruitiness. We belong to the five-percent minority of Champagne's producers who do not use malolactic fermentation to reduce wine acidity. The range of aromas is accentuated by the high-acid structure, much in the same way a salad dressing brings out the aromas in the food.

“And we stopped using cloned vines - we're only using the vine offspring from our own vineyards to ensure natural diversity. In the 1950s, -60s and -70s cloning was far too simple a solution for such a complex thing." Chef de Cave Jean-Baptiste Lecaillon explained

Sulje

Wine Information

In 1876, a Roederer champagne made for Russia’s Tsar Alexander II became the world’s first luxury cuvée. But with the sudden collapse of the Russian market, the champagne house endured a long struggle on the verge of bankruptcy. Eventually, the family’s shrewd patriarchs managed to turn things around, and today, Roederer is the most solvent of Champagne’s houses; indeed, its future looks Cristal clear.
Roederer is one of the few top champagne houses to remain family-owned. Although the house’s history actually begins in 1776, the company was not called Roederer until 1833, when Louis Roederer inherited the business from his uncle. It was Louis Roederer himself who increased the house’s production volume to its present level, 2.5 million bottles a year. He laid the foundation for exports and, particularly in Russia, enjoyed great success.
Louis Roederer II, his son, receives the credit for developing Cristal. The Russian Tsar was absolutely taken with Roederer champagne: in 1873, some 666,386 bottles, which amounted to approximately 27% of its entire production, were delivered to the court of Alexander II. In order to formalise Roederer’s status as official purveyor to the Imperial Court of Russia, Alexander II commissioned Louis Roederer to produce a very sweet, prestige blend packaged in a real crystal glass bottle. Roederer’s Martine Charlotte Lorson told us:
”The first luxury cuvée was born. From the very beginning, the bottle was clear and flat-bottomed. We later patented the bottle’s design. We have tried to change from the flat-bottomed bottle, but we can’t. Because of and thanks to the patent, Cristal’s label and appearance have stayed the same since 1928!”
And how fortunate that is, because, at least in our opinion, it is quite possibly the most beautiful wine bottle in the world, especially when wrapped in its trademark amber cellophane. Chef de Cave Jean-Baptiste Lecaillon explained the practicalities:
”We started using cellophane in the late 1970s, and there were still bottles with and without cellophane available in the early 1980s. Champagne is a light-sensitive product, so even though the cellophane is beautiful, it also plays a key role in protecting the Cristal from ultraviolet radiation. The amber cellophane also makes the bottle instantly recognisable, thus serving as a brand-building tool.”
The story of Cristal’s genuine crystal bottle is well-known. This is why we were surprised to discover that there is not one true crystal bottle in existence or even a photograph of one.
”Unfortunately, that’s true”, says Lorson, and continues: ”We’ve been searching high and low without any luck. But then again, Cristal was only packaged in crystal bottles for one or two years. The bottle was too weak to withstand the pressure and, because the Tsar’s champagne was so sweet, there was some post-fermentation, and the resulting losses were too much even for the extravagant Tsar.”

The 1970s were a turning point of sorts for Roederer and Cristal. Camille Olry-Roederer’s grandson Jean-Claude Rouzaud joined the house and gradually took the helm. It was a rough start, as TCA, a chemical compound that causes cork taint, infested the Roederer cellars. The young man faced an enormous undertaking. A huge volume of wine had to be taken off the market and disposed of, and the entire production facility had to be sterilised and rebuilt.
This is also the period of Cristal’s emerging popularity, when Roederer worked with an American importer to make Cristal the world’s most in-demand champagne. A key detail of this plan was to double the price. When Rouzaud was named Decanter Man of the Year in 2001, he said in an interview that one of the most significant things he had done at Roederer was to decrease the production of Cristal from one third to under a fifth of Roederer’s overall production. High price and low availability - alongside uncompromised quality - have made Cristal the most coveted champagne in the world.

Sulje

Vuosikerta 1983

Champagne: The 1983 vintage was one of the decade’s most mature vintages and is at its best today.

    This vintage was not born without pain, either. If the 1982 winter was cold and the spring cool, then this year it was many more times so. The damp and flowering. When it finally took place, the weather conditions were excellent. The summer was warm and sunny. As in the previous year, fall rains saved the grapes from drying up. Along with the rains of early September, temperatures fell and the maturing slowed down. The weather improved toward the end of September, and the harvest was reaped in early October. The vintage grew to be even bigger than the 1982 one. The wines have matured noticeably faster than the 1982 vintage. Stylistically, the wines are robust, lush and at a really enjoyable age right now.

Sulje

Viiniarvio

color

Deep ja Straw

ending

Medium, Lingering ja Sharp

flavors

Mineral ja Nutty

nose

Tired, Closed, Modest ja Mature

recommend

No

taste

Average in Acidity, Low alcohol content, Low tannin, Balanced, Unbalanced, Medium-bodied, Sharp, Ripe, Dry ja Silky tannins

Kirjoita arviosi

For a long time I was impressed by this Champagne—but, rather early on, it began a downhill journey. Bottles that have been stored in private cellars are often rather tired and dark in color. Even bottles that come from Roederer have seen better days, despite the color being light and the mousse irreproachably beautiful. The aftertaste has a desiccating bitterness and the fruit has diminished in intensity. Now the wine is dominated by a tone of raw mushrooms, undergrowth, hazelnut, and Autumn Fire—not too bad, actually, but the wine is no longer a classic Cristal and absolutely dead last time I tasted it.
  • 85p
This was very fresh and delicate, light on its feet with a lot of seltzer, citrus peel, minerals and a pungent kick. Fresh, very smooth, elegant, but not what I remember when I had it recently out of magnum, the 1983 Cristal was lighter out of bottle but still had some extra acidity
  • 93p

Original disgorgement. High yield. More Pinot Noir in the blend than modern Cristal.
Deep caramel straw colour. Orange notes. Mushroom hints and slight TCA on the nose. A very different wine from modern vintages with strange vegetal notes reminiscent of celery and some Oxo yeast extract. A bit sweet.

  • 88p

The 1983 Cristal is fabulous. Rich, ample and generous, the 1983 is incredibly inviting, with tons of class and personality. A wine of real volume and textural breadth, the 1983 has enough pedigree to drink well for many years. None of the elements stand out in the 1983, the whole is far greater than the sum of the parts. “Nineteen eighty-three is a different animal from some of the other wines of the decade,” Lécaillon explains. “It was a heavy crop, with a lot of fruit. There was so much wine in the cellar that the team could not get to everything in a timely fashion, and so there were some lots that started to oxidize a bit, and that, naturally, made the wine bigger.” In tasting, though, there are no off aromas or mushroomy flavors that suggest the wine is fading. If anything, the 1983 is spectacularly beautiful right now, even in the presence of other wines from more highly reputed vintages.

  • 96p
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