x
  • Country ranking ?

    199
  • Producer ranking ?

    8
  • Decanting time

    3h
  • When to drink

    from 2025
  • Food Pairing

    Challans duck, beetroot & black garlic and sour plums

The Tb points given to this wine are the world’s most valid and most up-to-date evaluation of the quality of the wine. Tastingbook points are formed by the Tastingbook algorithm which takes into account the wine ratings of the world's 50 best-known professional wine critics, wine ratings by thousands of tastingbook’s professionals and users, the generally recognised vintage quality and reputation of the vineyard and winery. Wine needs at least five professional ratings to get the Tb score. Tastingbook.com is the world's largest wine information service which is an unbiased, non-commercial and free for everyone.

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The Story

Château Mouton Rothschild A Premier Cru Classé in 1973, Château Mouton Rothschild, owned by Baroness Philippine de Rothschild, consists of 205 acres of vines near Pauillac, in the Médoc, North West of the city of Bordeaux. This Premier Cru benefits from exceptionally good natural conditions, both in the quality of the soil, the position of its vines and their exposure to the sun. It is regarded today as one of the world's greatest wine. 


The name Mouton is said to be derived from the word „Motte“ meaning mound or elevation of the ground. It was bought in 1853 by Philippe de Rothschilds great-grand father it was in a fairly bad shape and when the classification of 1855 was set up it was not deemed to be good enough to be qualified as a first growth but put in first place amongst the second growths. An injustice it took Philippe de Rothschild until 1973 to rectify. 1920s Philippe de Rothschild called together the owners of Haut Brion, Latour, Lafite, Margaux and Yquem to talk about the idea of bottling and marketing their wines on their own.

The first vintage to be bottled exclusivly at the château was the 1924 vintage. To commemorate this, the cubistic painter Carlu was asked to design the label, yet another revolutionary idea in this most conservative of surroundings. The idea of an artist designing the labels was dropped until 1945 when Philippe Jullian was asked to design a label commemorating the victory over nazi Germany. Since then works of such famous artists as Picasso, Miró, Dali, Chagall and personalities like John Huston and Prince Charles have been used for the labels.
In 1988, Baroness Philippine de Rothschild, who had already been associated with her father's work for some time, succeeded her father. She has in turn become the guarantor of the quality of an illustrious wine whose motto proudly proclaims : "Premier je suis, second je fus, Mouton ne change". First I am, second I was, I Mouton do not change

Vineyard soil: very deep gravel on a limestone base Production area: 82.5 ha Grape varieties: 77% Cabernet Sauvignon, 12% Merlot, 9% Cabernet Franc, 2% Petit Verdot Average age of vines: 48 years Harvest method: hand picked. The grapes from the younger vines are harvested first and vinified separately.

Winemaking: Before destemming, the grapes are hand-sorted then selected one by one. Vinification depends on each vintage and the characteristics of each vat. All the relevant parameters, such as temperature, pumping over, aeration, vatting time and running off, are monitored by the technical manager, the cellar-master and the laboratory.
Ageing: 19 to 22 months in oak barrels (almost all new, the percentage varying according to the vintage)
 

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Wine Information

Blend: 90% Cabernet Sauvignon, 9% Merlot and 1% Petit Verdot

A heterogeneous vintage, 2017 will remain in the memory of a lot of vintners with very mixed feelings. An early bud break put hopes very high for a good vintage. These hopes were destroyed by a frost period of historical dimensions. On April 20 an 21 as well as on April 27 and 28 the frost destroyed 30 to 50% of the harvest in the Gironde area, though the best terroirs and famous appellations have been less affected. An early and regular flowering set new hopes. Summer was very dry and the harvest was quite early, even accelerated by rain at the beginning of September. This was rather a problem for the Merlot grapes than for Cabernets. The Cabernet-Sauvignon took advantage of a dry Indian Summer.

Overall the vintage produced remarkable dry white wines above the qualities of 2015 and 2016. The sweet wines took advantage of a fast and regular Botrytis resulting in great wines. The red wines are in general more heterogeneous. However, concerning the wines tasted and presented below, it is a vintage without aromas of peppers and vegetal components, therefore suggesting a good ripening level. For the vineyards suffering frost, often the second generation of grapes had to be used to produce wine. These wines are less impressive than the previous vintages. The best terroirs were offering wines with expressive fruit with a character allowing a good evolution.

On the left bank, Pauillac was doing remarkably well as well as Saint-Julien and generally the vineyards facing the river. On the right bank the situation is much more heterogeneous, with very good results on the plateau calcaire of Saint-Emilion and the centre of the plateau de Pomerol. Overall fruit is dominating the tasting notes and at this early stage, the aromatic expression is mainly based on red and dark berries and stone fruit for the reds.

For the whites the range goes from yellow fruits and citrus fruits up to tropical fruits especially in the sweet wines. Looking back to the last vintages ending on "7" it seems, that this vintage again respects a certain "7"-Tradition. It is a vintage bringing back Bordeaux to its roots, offering a very classic wine style with lower alcohol levels than in the previous years but with often excellent aromatic expression. 2015 and 2016 have surely been better vintages than last year, but based on a first impression 2017 seems to be better than 2014. The evolution will show, that 2017 is far from becoming a "forgotten vintage". Some nice surprises will be waiting for us.

Markus del Monego MW

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Vintage 2017

Bordeaux 2017 - A year of contrast 

Life isn’t fair and neither is nature. As the earth gets warmer, flowering gets earlier, and the risk of frost damage becomes greater. Not many winemakers can recall the frosts of 1991 first hand, but their legacy is still haunting. When the meteorologists predicted a cold blast on the nights of the 27th and 28th of April, there was a genuine sense of panic. Most with the means deployed bougies, wind turbines, helicopters, lit hay, took whatever measures they could - the rest left it to chance. 

The best protection was provided by nature; proximity to the Gironde and altitude. These by no coincidence at all are the best terroirs. The grand estates of the Medoc such as Leoville Las Cases, Pichon Comtesse and Montrose reported virtually no frost damage at all. Likewise in Pomerol, Chateau Lafleur, Petrus, Vieux Chateau Certan and all the other big names on the plateau of Pomerol were unscathed. There were a few notable casualties such as Cheval Blanc and Figeac, but the damage was far from catastrophic and the resulting wines are both spectacular.

Those situated on low lying vineyards in St Emilion or further away from the Gironde estuary in the Medoc had no natural protection. Here the mercury dipped below the critical level and frost damage was devastating. In places the whole crop was lost. Vignerons had to wait patiently and hope for a second generation bud. In most cases the second generation was futile.

Those partially affected by the frost predominantly lost their least auspicious terroirs and plots planted with young vines, normally designated into second wines and generics. A natural selection if you like… Statistically, 2017 does not make good reading for Bordeaux as a whole; appellations that produce bulk wine were hit hard.  Total output was 3.5m hectolitres, some 40% lower than 2016. However, yields at the top Chateaux are relatively normal and if they are down, it is generally attributed to the small berries caused by the drought conditions in July and August.

 

2017 is best summarised as an early vintage with significant hydric stress. Bud break, flowering, veraison and harvest were all two weeks ahead of the norm. Thankfully there was sufficient rain in June to carry the vines through the drought that was July and August. Average temperatures in July and August were not remarkable, although some Chateaux pointed out that alternating temperatures from warm days to cold days aided ripening. September brought much needed rain and cooler conditions. The nights were particularly cool which helped prevent botrytis and helped retain low pH levels. The latter part of the month saw a return to dry conditions which allowed the Cabernets to attain full maturity.

And what of the wines? Statistics can provide rationalisations, but they can’t tell you what the wines taste like. As Baptiste Guinaudeau says, the 2017s clearly fit into the trilogy of vintages affected by hydric stress, 2015, 2016 and 2017. There is wonderful, refreshing acidity and vitality to the fruit. Alcohol levels very moderate, much like in 2016. The wines are vibrant and aromatic. Due to the small berries, there is good colour and the quality of the press wines is very interesting. As 2017 didn’t have the warmth of 2015 and 2016, they are generally not as broad as their predecessors, however, the key was to extract gently and then use the high quality press wines to fill out the mid-palate. There are scores of successes. Vignerons who have been sympathetic and allowed their terroirs to speak have triumphed. Olivier Berrouet’s Petrus is absolutely outstanding, Chateau Lafleur and Pensees de Lafleur speak of purity and breed, Canon, Ausone, Cheval Blanc, Figeac and Tertre Roteboeuf have all produced worthy successors to their 2015s and 2016s. On the Left Bank, Chateau Margaux is perhaps a class apart, but Mouton Rothschild, Haut Brion, La Mission Haut Brion, Montrose, Pichon Comtesse and Leoville Las Cases are all out of the top drawer, and there are numerous others worthy of mention: Grand Puy Lacoste, Smith Haut Lafitte, Haut Bailly, Leoville Barton, Lynch Bages, Ducru Beaucaillou, Calon Segur, Palmer, Pichon Longueville, Brane Cantenac and Rauzan Segla.

 

One hesitates to use the term ‘classical’ as this expression has been hijacked as a euphemistic idiom for a wash out. 2017 certainly isn’t weak, which will no doubt disappoint those superstitious about vintages ending in seven! There is nothing excessive, they are perfectly mannered, understated yet handsome, rather like a perfectly tailored Saville Row suit. They ooze charm, grace, sophistication and elegance. Some would say they are somewhere between 2014 and 2015, but we didn’t really detect the flamboyance of 2015 in many wines. Perhaps they are more in the image of 2014 with a little bit of the class of 2016. As with the 2016s, there aren’t any real reference points. 2017 is uniquely 2017. Nature has done its own selection, and the results are rather special.

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Latest Pro-tasting notes

12 tasting notes

Tasting note

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Written Notes

Compared to the 2014 (and better than 2011 and 2012) by the estate, the 2017 Mouton-Rothschild is a final blend of 90% Cabernet Sauvignon, 9% Merlot, and 1% Petit Verdot, harvested from the 7th to the 29th of September, brought up all in new barrels. This beauty is going to check in behind the sensational 2015 but is unquestionably one of the gems in the vintage. Crème de cassis, graphite, Asian spice, and cedar pencil notes all flow to a rich, full-bodied, deep, layered beauty that has tons of potential. Hitting 13.1% alcohol, it has more texture and depth than most and will need 4-6 years of cellaring. Production is down over 10% due more to the dry summer than any frost damage.

  • 97p

0% Cabernet Sauvignon, 9% Merlot, 1% Petit Verdot, harvested 7–29 September.
Healthy, glowing deep crimson with soft cherry rim. Rocky/smoky cassis lift to the aroma. Fragrant with sober and non-exotic fruit. Serious. Super-fine texture, appears gentle but is very persistent, so fresh and effortless and yet intense and long. Refined and accessible but long term too.

  • 93p

Ruby. Cassis, anise, spices, faint exotic note, blueberries, nuanced, minerals, touch of tobacco nose. Fresh acidity, ripe tannins, juicy, red berries, anise, spices, detailed, intense, layered, bit lighter but nuanced, long. 96-98

  • 97p

The 2017 Mouton Rothschild has one of the highest percentages of Cabernet Sauvignon ever at 90%, with 9% Merlot and 1% Petit Verdot. Very deep purple-black in color, the nose is already singing of crushed black currants, warm blackberries and chocolate-covered cherries with hints of violets, star anise, cinnamon stick and cloves plus wafts of pencil lead and unsmoked cigars. Medium-bodied, wonderfully delicate yet intense in the mouth (gaining some richness in the mid-palate on my second taste two and a half weeks later), it has super fine-grained, smooth tannins and incredible freshness, finishing very long with tons of tightly wound layers. Wow. This vintage is going to be very long-lived in the cellar!  97-99p

Dark purple red with violet hue and black core. Expressive nose with elegant roasting aroma, ripe fruit, blackcurrants, elderberries and blackberries. Balanced spiciness adds to the wine's complexity. On the palate well structured with ripe and polished tannins, complex fruit and hints of minerality, elegant spiciness in the background. A great Mouton in a very classic style. 98

  • 98p
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Information

Origin

Pauillac, Bordeaux

Grapes

9% Merlot
90% Cabernet Sauvignon
1% Petit Verdot

Drinking temperature

17-18C

Inside Information

THE LABEL DESIGN

The owners of Château Mouton Rothschild, Philippe Sereys de Rothschild, Camille Sereys de Rothschild and Julien de Beaumarchais de Rothschild, gave the commission for the label of the 2017 vintage to the French artist Annette Messager, born in 1943. Hailed throughout the world for her creative talents, she takes objects, shapes and words from everyday life to create a world of sometimes joyful, sometimes alarming poetry, marked byher feminist convictions.

Annette Messager's work for Mouton is titled "Hallelujah". In a n approach that is both realistic and symbolic, she combines two sunbstances, milk and wine, which the Bible often associates with each other, hymning the virtues of both.

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