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The 2018 Mouton Rothschild is composed of 86% Cabernet Sauvignon, 12% Merlot and 2% Cabernet Franc—there is also a splash of all the Petit Verdot they had, but it doesn’t even register in the percentage. Grapes were harvested September 10 to October 3, and the wine was blended at the beginning of December; it has 13.8% alcohol, and the tannins were slightly higher this year. Deep purple-black in color, it is a little closed to begin compared to some 2018s, slowly unfurling to reveal a profound nose of warm black plums, blackcurrant cordial, star anise, blueberry pie and mocha with suggestions of candied violets, oolong tea, camphor and unsmoked cigars plus a touch of crushed rocks. Medium to full-bodied, the palate delivers waves of opulent, spiced black and blue fruits with seamless acid lifting this gorgeous mouthfeel that is at once plush from the ripe fruit and firm and grainy from the super ripe tannins, finishing very long and wonderfully creamy.
|Score: 97/99+||Lisa Perrotti-Brown MW, Wine Advocate (April 2019), April 2019|
The owners of Château Mouton Rothschild, Philippe Sereys de Rothschild, Camille Sereys de Rothschild and Julien de Beaumarchais de Rothschild, commissioned the label for the 2018 vintage from the Chinese artist and writer Xu Bing (b. 1955).
The artwork for the 2018 label reflects the artist’s work on the illusory splendour of appearances as manifested by his Square Word Calligraphy, which resembles traditional Chinese characters but is actually composed of the letters of the Latin alphabet. Xu Bing expresses his linguistic creativity in the invention of a unique script in which the words are absorbed into the codes of traditional Chinese ideography.
In this coalescence of cultures, the label for the 2018 vintage features the two words “Mouton Rothschild”.
Château Mouton Rothschild A Premier Cru Classé in 1973, Château Mouton Rothschild, owned by Baroness Philippine de Rothschild, consists of 205 acres of vines near Pauillac, in the Médoc, North West of the city of Bordeaux. This Premier Cru benefits from exceptionally good natural conditions, both in the quality of the soil, the position of its vines and their exposure to the sun. It is regarded today as one of the world's greatest wine.
The name Mouton is said to be derived from the word „Motte“ meaning mound or elevation of the ground. It was bought in 1853 by Philippe de Rothschilds great-grand father it was in a fairly bad shape and when the classification of 1855 was set up it was not deemed to be good enough to be qualified as a first growth but put in first place amongst the second growths. An injustice it took Philippe de Rothschild until 1973 to rectify. 1920s Philippe de Rothschild called together the owners of Haut Brion, Latour, Lafite, Margaux and Yquem to talk about the idea of bottling and marketing their wines on their own.
The first vintage to be bottled exclusivly at the château was the 1924 vintage. To commemorate this, the cubistic painter Carlu was asked to design the label, yet another revolutionary idea in this most conservative of surroundings. The idea of an artist designing the labels was dropped until 1945 when Philippe Jullian was asked to design a label commemorating the victory over nazi Germany. Since then works of such famous artists as Picasso, Miró, Dali, Chagall and personalities like John Huston and Prince Charles have been used for the labels.
In 1988, Baroness Philippine de Rothschild, who had already been associated with her father's work for some time, succeeded her father. She has in turn become the guarantor of the quality of an illustrious wine whose motto proudly proclaims : "Premier je suis, second je fus, Mouton ne change". First I am, second I was, I Mouton do not change
Vineyard soil: very deep gravel on a limestone base Production area: 82.5 ha Grape varieties: 77% Cabernet Sauvignon, 12% Merlot, 9% Cabernet Franc, 2% Petit Verdot Average age of vines: 48 years Harvest method: hand picked. The grapes from the younger vines are harvested first and vinified separately.
Winemaking: Before destemming, the grapes are hand-sorted then selected one by one. Vinification depends on each vintage and the characteristics of each vat. All the relevant parameters, such as temperature, pumping over, aeration, vatting time and running off, are monitored by the technical manager, the cellar-master and the laboratory.
Ageing: 19 to 22 months in oak barrels (almost all new, the percentage varying according to the vintage)
Climatic conditions / The first half of 2018 was marked by heavy rainfall and severe hailstorms during the winter, followed by a much milder spring.
Cool temperatures in March were followed by a warm spell in April which favoured vegetation growth and brought the vines into flower slightly earlier than usual. This trend was confirmed from June onwards as hot and sunny weather advanced the vine cycle by 5 days in relation to the average.
In July, high humidity coupled with the summer heat made it difficult to keep the vines healthy, but constant care from our growers ensured that all the qualities of the vineyard were preserved. Fortunately, hot and dry weather then set in for three months, with temperatures sometimes reaching more than 30°C, ending the mildew attacks.
Although conditions in the first half of the year did not herald a great harvest, the record-breaking temperatures, low rainfall and relative drought that followed in the summer months rectified the situation. The grapes were small but outstandingly rich in sugar and tannins.
The advance in the vine cycle and the hot, dry summer meant that the harvest began in late August for the white grapes and early September for the red grapes.
At Château Mouton-Rothschild, picking started with the Aile d’Argent parcels from 30 August to 5 September and continued with the red grapes from 10 September to 3 October.
The wines are intensely coloured and have excellent tannic structures. They are remarkably dense and smooth, with a rare concentration of aroma and flavour. Yields were smaller because of the drought, but the vintage can already be reckoned one of our great successes.
The wine has an intense, deep black colour.
The nose reveals intense ripe fruit aromas and nutmeg notes, set off by touches of mint.
The ample, full and refined attack opens on blackberry and cherry flavours lifted by a hint of spice. Generous, creamy and well-rounded tannins underpin candied flavours, giving an overall impression of succulence.
Great balance between the fruit and the tannins paves the way for a highly refined and exceptionally long finish.
2018 Bordeaux Vintage Report and recommendations
by Andrew Caillard MW
2018 is an exceptional year. The Bordeaux whites and sauternes are very good, but from an Australian perspective the excitement is all in the red wines. All sub regions produced examples of really good wines, but some performed better than others. Generally the very top estates made exemplary wines illustrating that the human factor and wealth can have a major impact on terroir! Over the last few weeks I have tasted around 350 to 400 wines, sometimes in large format forums like the UCG tastings or at various Chateaux. Nowadays it is difficult to taste the wines blind but density of colour, aromatic freshness, tannin density and overall balance are obvious indicators. In some instance I have tasted wines a few times enabling me to cross reference.
The weather until a few days ago has been clear with bright sunshine, warm days and a cool breeze. Temperatures have fallen now with more cloud cover and intermittent rains. While driving from Sauternes to St Emilion we drove through light hail but not enough to cause too many problems. In two weeks we have seen dormant vineyards and trees spring to life. The growing season is starting a touch early and of course people are worried about the chances of frost. After the devastating frost events of 2017 and the challenges created by hail and mildew during 2018, there is a feeling that climate change may well have an unpredictable impact on future Bordeaux vintages.
We have pretty tasted a good amount of primeurs wines now. As usual the vintage will be exaggerated. The growing season was near calamitous but long warm sunshine hours over summer cleaned everything up and allowed the grapes to ripen very really well. The colours, flavours, density and acidities are really impressive and as a consequence the vintage is generally quite exceptional. It is difficult to truly understand the overall crop losses as producers are understandably quite cagey. But they vary from almost nothing to less than a third. At Ch Climens in Sauternes Barsac I would estimate the crop being around 20% of the average. When one considers that this estate lost its whole crop in 2017 from frost, the shock must be keenly felt. Mother Nature has been particularly cruel of late. The narrative of the growing season will inevitably create a negative impression, but few people will remember the details in years to come. They will only remember the wine. For some people with long memories they believe the vintage is like 1947 or 1961. If this is the case, this is not just an exceptional vintage, this is something beyond the norm. An immortal year. The concentration, weight, and vitality of the wines are impressive. Despite the amazing tannin density, saturated colours and flavours, the wines are actually quite easy to taste, indicating remarkable balance and life.
In my opinion the strongest sub regions are Pauillac and St Julien – which have both produced wines of great consistency and classicism. They are powerfully expressive with pronounced ripe tannins and pure fruit flavours. The combination of better micro-climatic conditions, wealth and physical resources helped with the result. Ch Pontet Canet is an outlier because of its approach to biodynamic viticulture. It suffered terribly from mildew and has produced only a third of the crop. The wine is markedly different from wines like Ch Latour or Ch Pichon Lalande, but its overall buoyancy and richness of fruit is compelling. It also stands for something that is worthwhile and important.
I always think of Pauilac as being the reference for Bordeaux. Typically the wines are extremely expressive with pure cassis cedar aromas and fine grainy tannins. This year the wines are particularly dense and inky with plentiful graphite tannins. They are not at all sinewy or soupy and hence when the tannins settle down the wines will be exceptional.
There are many outstanding wines from Pauillac including Ch Pichon Longueville Comtesse de Lalande, Ch Pichon Longueville Baron, Ch Lynch Bages, Ch Batailley, Ch d’Armailhac and Ch Grand Puy Lacoste. The first growths Ch Latour, Ch Mouton Rothschild and Ch Lafite Rothschild are very impressive. Their second wines Les Forts de Latour, Petit Mouton and Carruades are also of very high quality.
Neighbouring St Julien has also performed very well. Ch Ducru Beaucaillou and Ch Leoville Lascases probably lead the pack but Ch Leoville Barton, Ch Leoville Poyferré, Ch Gruaud Larose, Ch Talbot and Close de Marquis are all exceptionally well made wines
St Estephe is variable. Some estates controlled the volume and consistency of tannin very well and made classical wines. These include Cos d’Estournel, Ch Montrose, Ch TronquoyLalande, Ch Phelan Segur and Ch Canon Segur. Other examples were in my opinion excessively brutish in structure. For those willing to keep the wines for a decade or two, many of them will eventually come
Margaux is also variable and does not always have the density of fruit to go with the tannins. Yet one of my favourite wines of the vintage is Ch Palmer which is magical. In fact I think it is the wine of the vintage. Ch Prieuré Lichine, Brane Cantenac, Giscours and Marquis de Terme were all good. Ch Margaux and Pavillon Rouge were of course well above the average.
Subregions Moulis, Listrac and Haut Medoc wines are all over the place yet there are some genuine highlights including Esmond de Rothschild’s Ch Clarke, Ch Cantemerle and Ch Beaumont.
Graves and Pessac Leognan have produced wines of varying quality yet again the very top Chateaux including Ch HautBailly, Ch La Mission Haut Brion and Ch Haut Brion have made impressive grand vins. Ch Smith Haut Lafitte has really moved up the hustings and has made a really good wine this year.
St Emilion is a fascinating tapestry of colour and movement this year making some truly outstanding wines. Ch Cheval Blanc, Ch Ausone, Ch Belair Monange, Ch Fourtet, Ch Figeac, Ch Canon and Ch Pavie have all produced wines of richness and impact. I also enjoyed Ch La Dominique and the Burgundian-like Tertre Roteboeuf. But there is more inconsistency on the flats and fringes of the region. However as is often the case the value can be found best with lesser names who have prevailed well. This includes a few wines in the nearby Cotes de Castillon which may represent good value.
Pomerol is more consistent than St Emilion but there is also some variability. Ch Petrus, Vieux Chateau Certan, Ch Certande May, Ch Latour a Pomerol, Ch Gazin, Lafleur, Lafleur Petrus and Ch Trotanoy made really terrific wine but there were some instances where the wines were lighter in weight and probably less appealing. On reflection I think Pomerol vies for line honours. The wines are amazingly impressive with beautiful polish, suppleness and concentration. There are many instances where second wines have performed
2018 is not a very great Sauternes Barsac year and the quality is dependent on the producer and how much of the crop was picked before the rain and humidity finally arrived to promote botrytis in the vineyards. My clear favourite is Ch Climens. Although I always see it in parts, the end result promises to be outstanding. Rieussec, de Fargues and Lafaurie Peyragueyare are standouts.
As you will see from my tasting notes there are many great wines. This year it is going to be very hard to make a bad decision. Although the big names have made impressive wines there are stacks of lesser known or lower profile estates that have made promising young wines. Over the next year they will continue to evolve and mature in barrel, building more complexity and allowing the tannins to settle down.
As regards whether it is a great vintage, I think it is safe to say that it is a remarkable year with many very great wines made. In some ways it is a miracle year considering the challenges and disappointments of the growing season. Most observers will agree that the 2018 vintage, specifically the red wines, is in the same league as the greatest vintages including 2015, 2010 and 2009 etc. Some winemakers are also suggesting its very similar to 1947 or 1961.
But 2018 is also an atypical year – whatever that means these days. The weather patterns are more difficult to predict and no one can really second guess what God plans for this forthcoming season. Thankfully the predicted cold snap last night did not damage the emerging new growth. But the unseasonable warm start to the growing season and clear skies has everyone on edge
Andrew Caillard, MW